Thursday, August 18, 2011

WHEN EVERYONE ELSE IS ASLEEP: an encounter with José Luís Peixoto in Botswana


'To write is to organise ideas...something that by itself isn't necessarily organised,' José Luís Peixoto.

'José Luís Peixoto is Portugal's most acclaimed, prize winning young novelist,' this is the first line in a write up Sandra Pires from the Instituto Camoes Lectureship at University of Botswana passes around as the author introduces himself.

Born in a small village off Portugal's southern interior in 1974 (a few months after the carnation revolution that put an end to authoritian dictatorship) José finds himself, sense of humour intact, in a University of Botswana faculty of humanities committee room after a hectic flight. There are 12 folks ranging from UB lecturers Tiro Sebina, Mary Lederer & Leloba Molema as well as Lapologa editor Ngozi Chukura to a few faces that bear the telltale signs of a just beginning foray into study. We may be few but he is charming and comfortable in the role of visiting author, as he should be with his first novel accepted for publication at age 25 having since been translated into more than 20 languages. He has written broadly across various genres from music lyrics to novels sometimes fusing autobiography with fiction, theatre play with poetry.

We speak about everything from translation "I leave it to other people its not my responsibility," he says with a smile - to the importance of not just reading but listening as one way that feeds writing. Upon request he reads excerpts from the closing chapters of three books, the poet in him boldly jumps out from beneath each breath held between the narrative. Even though he says he now writes more prose than poetry methinks that is a calling the Gods never take back.

We find out mid conversation that a street, actually the street where he was born and where his mother still lives was recently named after him - and how his amused (and no doubt proud) mother receives mail with her son's name as part of her address.

Having never been there I'm in love with the idea of all things Portoguese; the food, the whitewashed walls, I even dabbled in learning the language so I could better understand one visiting capoeira* instructor's attempts at making me a capoerista, I envy her lengthy coastline and now, her poetry or for now at least the sound of it.

He may very well be a prize winning novelist but I think he is a storyteller first, mediums are just that, a way to translate our experience or perception to the page or the stage. Please visit wikipedia/Peixoto for a bit more on the man and his work. While in Botswana José will run a creative writing workshop before heading to Namibia and South Africa.


*An Afro-Brazilian dance martial arts

Wednesday, August 10, 2011

BATSWANA doing business creatively: Mpho Laing

You know, as over-the-top as people that don’t know me may view me, ke ngwanyana hela wa Serowe, that takes anything that comes and doesn’t fuss. With that said though, I say, there is a totally exciting and different world out there that is worth exploring. This exposure helps one appreciate both the finer things and little things in life. So as much as I may at times get frustrated with the pace of things back home and snail-pace growth of my favourite industry, fashion/entertainment, I still appreciate being a Motswana and the unique opportunities I’ve been showered with in my beloved country.”

This week we speak with Mpho Zcephalya LAING better known as Ms Laing within Gaborone’s fashion-aware community. She has had and continues to enjoy a successful career in lifestyle consultancy as fashion editor, stylist and events coordinator. Born in Serowe, Botswana she currently lives between Gaborone and Lagos, Nigeria. Why you ask, well she is Project Manager – West Africa, for Global Village Partnerships; an International Company that is in over fifty countries around the world.



It’s always been my dream to come to Nigeria. Having met a few Nigerians in RSA, the US and Malaysia; their confidence, egos and on top of the world personas intrigued me. And me being me, I had to come to the source of all the excitement, haha!

My role is to produce the Best of Nigeria series, which basically celebrates the success stories of this country through profiling the leaders in various industries – best of entrepreneurs and enterprises. I still fly the Flag high in the Fashion and Cultural industries, as work progresses in Naija.

A day in the life of Mpho
Interestingly, I do not have one day that’s similar to the other. On a normal basis it is emails before I head off to see various prospective clients to make presentations, or in some instances to follow-up on the clients I had met before. Being the social being I am, early evenings are mostly filled with cocktails, corporate receptions or drinks with new contacts. These kind of set-ups have proved to be the best network platforms thus far. And simply put, I’ve been hit by the Naija bug!

We mention her recent stint as covergirl for local lifestyle magazine Lapologa and her upcoming feature in Naija's FAB mag – wondering if the 'behind the scenes' girl who used to be a wardrobe consultant for magazine and film alike has become GC’s IT girl?
Haha! IT girl sounds so cheesy... Though it is always great to be appreciated. Grown-up girls like me don’t really look at things like that as the ultimate or even a barometer for our worth. Otherwise, I would grow a bigger head in Lagos, because I feature in weekly publications more than I can count; this here is a Media and Red Carpet buzz society. There are many other things that I need to achieve than be on a cover of a magazine. When I am where I want to be, I’ll still be happy with being behind-the-scenes.

On what to expect from Mpho in the next couple of years
More like, what do I expect from me. I’ve never been the one to conform to societal pressures nor beat myself up to expectations by external sources. Like they say, ‘The unknown is yet to be discovered,’ and I am on my journey.

Despite this wanderlust, does she ever miss home
Other than magwinya, serobe, bogobe ja lerotse le seswaa*; it has to be the laid back peace of mind that is unique to this Gem of Africa we call Botswana. We don’t realise this sometimes, but we are a special lot with priceless presence. Most important on that list is the love of my life - my darling daughter Lame and family, of course.

Having previously worked on a Best of Botswana book we ask her about her association with that particular initiative
That is a project that will always stay close to my heart. What more can a girl ask for than play a major role in helping brand her country and celebrate the success stories with the whole world. I Managed the project and worked with my friend and ‘brother,’ Thapelo Letsholo from scratch. This has inspired my move to West Africa to run and Manage the project out here, as a shareholder too.

The state of fashion in Botswana– is there an industry or isn’t there
Quite interesting that just a year ago, this wasn’t a very appealing industry to most, but today we are talking a different language. Most young girls want to be models, thanks to the likes of Kaone Kario and beauty Queens like Emma Wareus, and almost every fashion design student/graduate wants to host a fashion week or run a modelling agency. Question is, do we have a big market to absorb all these activities or are we just going to run down the quality and expectations of the consumer to a point where we lose the little interest we’ve so far managed to build? Major players....hmmm, let’s give it a few more years.

We talk Naija
It is beyond words how I’ve been embraced by this non-conventional, challenging, exciting, chaotic, energetic and extreme society. I have never felt like this about any other country I have been to. The most interesting thing about Nigeria is that you either love it or loath it, and there is also a very thin line between treading the right circles and the wrong ones. And if you are here for work, the influential and right circles are a priority.

I love the confidence and energy that Nigerian people hold within them, be it a cook, a driver, a CEO or a criminal, they give their all into what they do and aspire to be the greatest. Life is expensive here, so one cannot afford to be redundant. And I just chuckle when people back home say all these ignorant and negative things about Naija, because there is a lot we could learn from this ‘work hard, play hard’ nation. And of course, they could learn a few things from us too.

Mpho’s last words
My ultimate dream is to see Nigerian investors spend their money in Botswana, something a lot of them would love to do but have never explored, as bigger and more aggressive markets like RSA have appealed to them more. There is a lot we could also bring into this country. These are a few things I am working on at the moment, including very close to my heart project that I am launching end of August in Gabs. I’ll be partnering with Urban Space to import Ankara (Traditional Fabric) female designs to Botswana. Quite excited about this venture and looking forward to its growth.

We’ll be watching this space dressed no doubt in the Ankaras Mpho is soon bringing to our shores …


* a list of Setswana cuisine including but not limited to tripe and freshly ground beef

Monday, August 8, 2011

SOUTHBANK CENTRE POETRY Press Release

2 August 2011

AFRICAN POETS NEEDED FOR SOUTHBANK CENTRE’S POETRY PARNASSUS

Nominations have now closed for Southbank Centre’s Poetry Parnassus – set to be the largest poetry festival ever staged in the UK, but although over 1,500 nominations have been received, more African poets are still needed.

There have been no nominations for poets from: Algeria, Benin, Botswana, Burkina Faso, Burundi, Central African Republic, Equatorial Guinea, Eritrea, Gabon, Guinea, Guinea-Bissau, Kenya, Lesotho, Libya, Madagascar, Mali, Mauritania, Mauritius, Mozambique, Namibia, Niger, Rwanda, Sao Tome and Principe, Seychelles, Swaziland, Tanzania, Togo, Tunisia or Zambia.

There have only been a few nominations for poets from: Angola, Cameroon, Cape Verdi, Chad, Comoros, Congo, Democratic Republic of Congo, Egypt, Ethiopia, Gambia, Ghana, Ivory Coast (Cote-d’Ivoire), Senegal, Sierra Leone, Somalia, Sudan, Uganda and Zimbabwe.

About Poetry Parnassus
205 poets, one from each competing Olympic nation, will come to Southbank Centre for the week-long celebratory gathering from 26 June – 2 July 2012 as part of the finale of the Cultural Olympiad; the London 2012 Festival. This hugely ambitious Southbank Centre project, led by Artistic Director Jude Kelly and Artist in Residence Simon Armitage, will include readings, workshops and a final gala event with all the poets. Every poet will also contribute a poem in their own language to be published in The World Record, a book which will champion translation and be housed in the Southbank Centre’s Saison Poetry Library.

Jude Kelly, Southbank Centre Artistic Director said:
‘Poetry Parnassus will be a landmark event in the Cultural Olympiad – a week-long gathering of poets, for poetry’s sake, to celebrate language, diversity and a sense of global togetherness. By bringing poets to London from Samoa to Senegal, Tonga to Azerbaijan we go back to the roots of Poetry International, the festival that Ted Hughes and Patrick Garland launched at the Royal Festival Hall in 1967, to address notions of free speech, community and peace through poetry.’

Simon Armitage, Southbank Centre Artist in Residence said:
“Southbank Centre’s Poetry Parnassus draws inspiration from Mount Parnassus in Greece – one of poetry’s spiritual and mythical heartlands, the home of the lyricist Orpheus and the dwelling place of the poetic Muses. My hunch is that this will be the biggest poetry event ever - a truly global coming together of poets and a monumental poetic happening worthy of the spirit and history of the Olympics themselves.”

Members of the public can nominate African poets via the weblink below, between now and 14 August 2011. A panel including Simon Armitage will then shortlist and the final selection of poets will be announced in spring 2012.

https://www.surveymonkey.com/s/NominatePoet

Poetry Parnassus patrons include: Carol Ann Duffy, Sir Andrew Motion, Melvyn Bragg, Michael Billington, Mark Lawson, Seamus Heaney, Joan Bakewell and Antony Gormley.

Poetry Parnassus partners include: the Arts Council, the British Council, the Poetry Society, the Poetry Book Society, the Poetry School and The Reading Agency.

For further press information, contact Katie Toms on 0207 921 0926 or katie.toms@southbankcentre.co.uk

Notes to Editors
Southbank Centre is the UK’s largest arts centre, occupying a 21-acre site that sits in the midst of London’s most vibrant cultural quarter on the South Bank of the Thames. The site has an extraordinary creative and architectural history stretching back to the 1951 Festival of Britain. Southbank Centre is home to the Royal Festival Hall, Queen Elizabeth Hall, Purcell Room and the Hayward Gallery as well as The Saison Poetry Library and the Arts Council Collection. The Royal Festival Hall reopened in June 2007 following the major refurbishment of the Hall and redevelopment of the surrounding area and facilities.